DoP: Qingqing Liu; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+EF Mounting Adapter, or EF Mounting Adapter with KineEnhancer; Lens: Canon 18-135mm; Canon 70-200mm, f2.8; Rokinon Cine EF 24mm/85mm; Tokina 11-16mm EF;
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
This update is biggest change since KineStation was launched: Multi-process, Debayer option and log.
This update brings native 3K 4:3 anamorphic recording, 3K M4/3 recording, new notification way and new full screen display with core parameters.
This version supports new lossless compression codec as KineRAW (.krw).
This version added Cineform RGB444 codec, and compatible with New KineOS 3.0 (33) for KineMINI&KineMAX.
Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]
There are some important functions from KineStation V0.3 to V0.4, to make KineRAW-MINI easy to be used for post work-flow.