Revolutionary KineMAX 6K is targeted very high quality film/video delivery including real 4K delivery. Its native resolution is 6K, and max capturing resolution is 6K with latitude of 14 f-stops; it also can record 4K with latitude of 14 f-stops, golden 3K/2K with very high latitude up to 16 f-stops. It supports 4K Native 4:3 Anamorphic. For HiSpeed S35, it can capture 4K Wide up to 100fps and For HiSpeed S16, 2K Wide to 225fps as super slow-mo.
With such power, its body remains very compact, and integrates battery plate, only 2cm longer than KineMINI 4K.
Buy Kine camera, you will get One-Year renting of Well-Known Assimilate Scratch, for free. For later renting, just need $199 per year (non-Kine user, $650); or permanent license as $995 (non-Kine user, $3000).
6K CMOS Sensor;
6K RAW in-camera recording;
Native 4K 4:3 Anamorphic;
6K Lossless KineRAW(.krw) record;
4K CinemaDNG(.dng) record;
3K Cineform RAW (.mov) record;
Single Frame >18 Million Pixel;
6K, 900% of Full HD;
6K, 225% of Ultra HD.
Native 4K 4:3 Anamorphic
Native 4.3K 4:3: 4320×3240;
Native 4K 4:3: 4096×3076;
De-squeezed image for monitoring.
Lossless Uncompressed KineRAW(.krw)
Compression Ratio 2:1~3:1;
6K Cineform by KineStation;
6K CinemaDNG by KineStation;
Cinema Slow-mo and Quick-mo;
HiSpeed S35 4K Wide @100fps;
HiSpeed M4/3 3K Wide @150fps;
HiSpeed S16 2K Wide @225fps;
4K Wide@56fps, crop mode;
KineStation + KineCamera = Kine Hybrid System（KHS）;
KHS covers from frontend to backend;
KineStation transcoding from KineRAW/DNG to Cineform.
16 f-stops even more: 6K to 3K to 2K;
Longer Recording time: 3K Cineform RAW mov;
Save SSD and easy for DIT.
14 f-stops for 6K and Crop mode;
16 f-stops at golden 3K/2K;
Remain highlights as you want;
Capturing super range of light latitude.
Built-in Cineform RAW
In-camera recording 3K/2K Cineform;
Occupy less room than ProRes422HQ;
Get 6K CF RAW by Free KineStation.
Uncompressed 4K CinemaDNG;
Transcoded into 4K Cineform by KineStation.
Super35mm sized CMOS sensor;
No trouble with conversion ratio;
Shallow FOV like film.
New OLPF and Improved Color Science
New OLPF optimised for 6K;
Nearly NO SAW, Moire, alaising;
Improved Color Science.
New Lock-Style EF/F mount
Like Cine PL mount, truly Cinema way;
Lock firmly, nearly no spacing;
Really fits for filming usage.
Nearly all lens using KineMOUNT;
Canon EF L lens/Nikon AIS lens;
PL lens, OCT-19 lens;
B4 broadcasting lens.
3G SDI and HD Display monitoring
One HD display monitoring;
Two 3G SDI monitoring option;
Three monitoring paths to meet requirements of field monitoring
Top Creative DI software;
Powerful DIT tool;
Free: First Year;
Only $199 per year for later usage.
Recommend following packages to save money and time:[css3_grid id=’KineMAX_en’]
With above features, KineMAX is targeted very high quality film/video delivery including real 4K delivery. It covers 6K, 4K, golden 3K, 2K, 1080p, with very high latitude up to 16 f-stops. For slow-mo, it can capture 4K and 2K slow-mo at HiSpeed mode with very compact body.