Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
The upgrade of KineStation from v0.7 to v0.8 is a major update: support KRW2.0, output ProRes from 422 to 4444XQ, support KineMAX HiSpeed, and more.
SCRATCH is a state-of-the-art, all-in-one, real-time solution for on-set production through the entire post-production workflow. It integrates a suite of tools that includes data management, dailies, playback, conform, colour grading, versioning, compositing, finishing and mastering for 2D/3D productions. SCRATCH squeezes every ounce of performance out of your GPUs to provide unbeatable speeds during the entire […]
DoP: Aeyron Moore; Director: Aeyron Moore; Location: Pittsburgh(US) Camera: KineMINI 4K; Lens: Rokinon Cine 35mm/85mm EF Prime lens; Tokina 11-16mm EF Ultra Wide Lens Recording Codec: 4k DCI 4096×1716 (CinemaDNG) Edited and Graded by: Aeyron Moore (Davinci Resolve 11)
Fill the form and submit the issue or problem of Kine camera, and we try to give you feedback in one working day (Chinese holiday may be different from your country). You need to provide following information to help us provide solution for you: SN of camera; Photos or video to reflect the issue/problem your […]
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
This version supports new lossless compression codec as KineRAW (.krw).
This version added Cineform RGB444 codec, and compatible with New KineOS 3.0 (33) for KineMINI&KineMAX.
Revolutionary KineMAX is targeted very high quality film/video delivery including real 4K delivery. Its max capturing resolution is 6K with 14 f-stops; it also can record 4K, and even 4K 4:3 Anamorphic; golden 3K/2K, 1080p, with very high latitude up to 16 f-stops. For slow-mo, it can capture 4K slow-mo at HiSpeed mode up to […]
KineMINI is upgrade version of KineRAW-MINI. Actually, KineMINI is not so much an upgrade but a whole new model of Kine camera. Built-in Cineform codec, 4K RAW option and HiSpeed Option, SDI output, turns KineMINI into a much more professional cinema camera, not a toy. With such performance, KineMINI keeps nearly same shape and weight […]
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
Current version V0.4 of KineStation™ is beta version which can run on Windows and MAC OS platform. It can transcode CinemaDNG/KNG sequence, timecode, audio and LUT into Cineform RAW mov/Cineform RGB 444 mov so that you can use Cineform workflow.
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
KineRAW functions more than just a data table, by updating firmware. Fireware 6058 provides much more functions than Firmware 6050 as listed below:
KineRAW-S35 is defined as a full-functional and serious digital cinema camera which fits feature movies, AD, and TV making.
