CinemaDNG ™is frame-based, just like Film. CinemaDNG™ offers maximum image quality and license free archive of your shots as “Digital Negative” that can be processed any way you like and be archived in an “open file format” that can be accessed and supported for all time to come, no matter what happens.
Director：Ram Leetal; Cameraman: Johnnie Behiri; Location: Southhampton-UK Lens: Canon EF Lens; Record Format: CinemaDNG; Graded：Johnnie Behiri
Director：Jiang Xuan; Cameraman: Luo Xiaofeng; Team: 24 EIGA AGENCY; Location: Shanghai Lens: GL Optics(ZE Converted);
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade CinemaDNG in Davinci Resolve.
Cameraman: Dan Hudgins; Location: San Francisco(US) Lens: LOMO lens; Record Format: CinemaDNG/Cineform; Graded by: Liu Qingqing, Zhao Wei, Huiyun, Shan Shiyang (Davinci Resolve)
The video tutorial teach you how to use LUT which was loaded when shooting to recover the color and saturation on log video, and how to work with PR and Edius. That will speed up post workflow much.
This tutorial explains how to playback Cineform RAW clips, need what kind of codecs, and what is LUT recorded by KineRAW.
Burning Bridge MV, Starred CRAIG HANSEN Director: Clinton Harn; Cameraman: Matthew Allard, assisted by Phil Arntz; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted)& Nikon Lenses;
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to clarify how to process CinemaDNG post workflow with Davinci Resolve.
Cameraman: Yongpeng Shen, Jiaxing Yue; Location：Qinghai-Tibet(China) Camera: KineRAW-S35; Lens: CP2 and Nikon Camera Lens; Record Format: Cineform RAW mov and CinemaDNG Graded by: Qingqing Liu; Grading Software：Davinci Resolve
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade Cineform RAW in Davinci Resolve.
The tutorial talks about how to use free Cineform Studio to do white balance, adjust exposure, and load LUT quickly, etc. It means a lot for quick output and grading
KineRAW-MINI is lightweight and solid digital cinema camera, while remains being powerful and versatile tool for 35mm like Cinematography. With more professional accessories, KineRAW-MINI can be configured as full function cinema tool easily. Note: KineRAW-MINI is previous model of KineMINI 4K. Please find more information about new KineMINI 4K.
Director: Matt Allard; Shot by: Matt Allard, Clinton Harn, Phil Arntz; Location: Australia Camera: KineRAW-S35; FS700 for high-speed shots; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted);
Cameraman: Matthew Allard, Dan Chung; Location: Hong Kong Lens: Nikon and Canon camera Lenses; Record Format: Cineform RAW mov
