KineOS5.1 only applies to TERRA 6K shipped before Jan 20, 2016. The update covers optimization on in-camera debayer algorithm, improving image quality of ProRes; Improvement on monitoring video path; Support NTFS file system on SSD; Support new KineBAT-120W; Fix some bugs and improve stability.
The current firmware of TERRA is KineOS 5.0, which has optimized the encoding of Apple ProRes. In the latest version of KineOS 0.5, KineRAW (KRW) RAW is also provided. You can choose either high-efficiency and high-quality Apple ProRes or lossless KineRAW for best image quality. The version of KineStation for TERRA is V0.9.
The key point of KineStation upgrading from V0.8 to V0.9 is that it supports TERRA and KineOS5.0.
DoP: Qin Shuai; Director: Zhang Cheng & Ma Yongxian (LogImage STUDIO); Location: Shanghai; Camera: TERRA 6K, EF Mount with KineEnhancer; Lens: Zeiss CP2, Canon 70-200mm f2.8 and 100mm Macro; Recording format: S35 6K, 4K HiSpeed@75fps, as ProRes422HQ; Setting: ISO@320~1600; Edit by: Ma Xianyong (FCP X); Graded by: Chu Youfeng (Resolve). Awarded as the Best Cinematography […]
Create, no boundaries. As a small and powerful cinema camera, TERRA has ability record ProRes and KineRAW for all resolution and fps which it supports. It is designed from bottom to top to facilitate filmmaking from shooting to post workflow. The value and flexibility from the TERRA lets you put more of your production budget […]
The update supports status display on the LCD at the left side panel of KineMAX, and multi Kine cameras syncing with KineSync device.
Shot, directed, edited and graded by: Kirill Maryukhna, Vladimir Malinke; Location: Moscow. Camera: KineMINI 4K, KineMOUNT+EF mounting adapter; Lens: Sigma ART 50mm f1.4; Canon 100m Macro, 70-200mm f2.8; Rokinon Cine 16mm/35mm EF Prime lens; Tamron 24-70mm F2.8; Codec: 4K@25fps S35, 2K@92fps S35, 2K@50fps S16; Post workflow on: Cineform RAW mov or Cineform RGB444 mov by […]
The operation manual of KineMINI 4K is for KineMINI 4K with KineOS 4.0. It introduces functions and settings of KineMINI: the basic interfaces, UI and operation, settings and new features of KineOS4.0 like KRW workflow, custom 3D-LUT etc.
DoP: Xia Dong; Director: Luo Xiaozhou(GKStudio); Location: Shenzhen(China) Light: Tian Guoxiong; Art: Chunzi; Make up: Anna He; Camera: KineMAX 6K, KineMOUNT + PL Mounting adapter; Lens: UP Prime Set;
The tutorials were made by Assimilate Inc. We group into three volumes, total 20 videos. More tutorial videos can be found in https://vimeo.com/assimilateinc, the official Vimeo account.
The interfaces of KineMAX 6K camera is complete for serious filming, for most cases. The following three videos introduces the ports and button of camera, basic configuration and how Zacuto recoil work with KineMAX.
Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
The tutorials were made by Assimilate Inc. We group into three volumes, total 20 videos. More tutorial videos can be found in https://vimeo.com/assimilateinc, the official Vimeo account.
KineRAW (.KRW) codec, cinema-level codec is developed by Kinefinity with great efforts and resources: lossless, very high efficiency. It really fits 6K, 5K, 4K recording and HiSpeed recording, saves much more storage room, for easier data backup.
The operation manual of KineMAX 6K is for KineMAX 6K with KineOS 4.0. It introduces functions and settings of KineMAX: the basic interfaces, UI and operation, settings, Timecode, HiSpeed, KRW workflow, 3D setup etc.
