TERRA 6K, Smallest, Cine Camera with high performance, easy to be used like DSLR. TERRA 6K works up to 100fps @4K Wide, 200fps@ 2K Wide and record ProRes422HQ(.mov) or lossless RAW(.krw) onto standard 2.5″ SSD.
The TERRA 6K imaging sensor is the same 6K wide-color-gamut CMOS sensor (rolling shutter) with KineMAX 6K. It features very high resolution, wide latitude and high fps.
6K Resolution TERRA 6K is capable of Capturing and Recording 6K RAW (.krw) without external recorder, but also is the only camera to record 6K ProRes. 6K details and framing space is beyond imagination, > 18Million pixels in one frame: 9 times of Full HD/1080p, 2.25 times of UHD/3840×2160! Every single frame matches high-end DSLR RAW photo!
16/14 stops TERRA 6K employs state-of-art CMOS sensor: 14 stops at 6K resolution; amazing 16 stops at golden 3K/2K (S35 framing) . It brings you not only maximum details, but also maximum latitude in every frame.
Rolling Shutter TERRA 6K shares the same state-of-art 6K CMOS sensor (rolling shutter) with KineMAX 6K. It is rolling shutter type, then suffers some rolling effect especially at 6K resolution. However, TERRA 6K features HiSpeed mode to record 4K/3K/2K which reduces rolling effect greatly.
4K 100FPS TERRA 6K has very good slow-mo ability. It supports 4K Wide Slow-Mo up to 100fps at HiSpeed S35 and 2K Wide to 225fps at HiSpeed S16. As of quick-mo, the minimum fps is down to 6fps. Any custom sensor fps can be set between lowest and highest fps with step of 0.001fps.
ProRes for All Res and All Fps TERRA 6K allows lossless RAW (.krw) recording or Apple ProRes recording directly. For ProRes codec, it does not only support regular 2K/4K ProRes, but also has ability to record ProRes 422HQ for all resolution and all fps which the TERRA 6K supports, like 6K ProRes, 4K wide 100fps ProRes, 2K@200fps for HiSpeed mode. Apple ProRes as an industry standard is widely supported by DI/NLE softwares. TERRA 6K with ProRes speeds up both shooting and post-workflow at the same time.
Lossless KineRAW KineRAW (.krw) codec, cinema-level codec is developed by Kinefinity with great efforts and resources. Average compression level is 2:1~3:1, lossless compression algorithm: no color sampling and loss. The 500GB KineMAG SSD could record around 80 minutes 4K RAW clips with its data rate slightly larger than ProRes422HQ. It can be transcoded into up to ProRes4444XQ for ProRes workflow or CinemaDNG for CinemaDNG workflow by KineStation; It really fits 4K, 6K recording and HiSpeed recording: reserving max grading room, saving much storage spaces and easier data backup.
2.5″ SSD recording media TERRA 6K employs standard 2.5″ 7mm SSD SATA3.0 as recording media to provide compatibility of 3rd-party SSD, though TERRA 6K is so small. There are lots of off-the-shelf 7mm SSD available. However performance of 3rd party SSD is not guaranteed, only official 7mm KineMAG 500G/1T SSD is recommended for serious shootings.
Custom in-camera LUT You can upload the LUT/color style which you like, or DP like, or designed by post house to TERRA 6K, so that the workflow from shooting to post will be optimised and reduce the time for you, also help on-site lighting and art work. For recording KRW or ProRes with custom LUT, it does not burn into footage: footage is always logged (by KineLOG3), on-site LUT for monitoring is saved to the same folder. The size of 3D LUT is from 8x8x8 up to 33x33x33.
Multi-Framing Oversampling + Crop mode + KineEnhancer = infinity combination of resolution, fps and framing. With the help of in-camera oversampling, TERRA 6K records to 6K ProRes, but also 4K/3K/2K ProRes with sharper and more clean images at S35. The framing can be from S35 up to full frame if using KineEnhancer, while cropping mode can boost the higher fps. TERRA 6K supports above three modes to get multi-framing and multi res, at different fps.
4K 4:3 Anamorphic TERRA 6K as 4320×3240@25fps. and Aspect ratio of 4:3 matches anamorphic lens with factor of 2, so that it will gain CinemaScope frame as 8:3(2.66:1). With the desqueezed process in post-workflow, it can reach up to 7400×2800/7200×2700/8640×3240 (8K) CinemaScope!
KineMOUNT as Omni Mount KineMOUNT is the native lens mount of TERRA 6K. It provides enough possibility due to its short FFD(15mm). New KineMOUNT is re-designed to be light with electronic contact (active) in order to support new PL mounting adapter with /i tech and new cordless EF mounting adapter, EF mounting adapter with KineEnhancer, new SONY FE/E mounting adapter, EF/PL mounting adapters with electronic ND(e-ND), etc.
Whole-new Accessories A group of whole-new accessories are designed specifically for TERRA, so that TERRA can be configured for one-man job or a professional filmmaking crew. KineBACK provides more than SDI monitoring, XLR 48V audio, V-mount plate, regulated DC output, timecode sync and 3D sync in one little module. KineMON as fullHD 5″ monitor is powered and is fed video from TERRA body by only one cord. SideGrip, as new handgrip w/ powering and control from GripBAT 45Wh(BP-U30 compatible) battery, more than one hour for usage. KineBAT 120Wh as Super compact V-mount battery provides over four hours to TERRA. KineKIT-TERRA from Movcam takes into account of TERRA in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for TERRA.
Create, no boundaries. As a small and powerful cinema camera, TERRA 6K is designed from bottom to top to facilitate filmmaking from shooting to post workflow. The value and flexibility from the TERRA 6K lets you put more of your production budget and energy into what goes in front of the camera. It’s a serious film-making tool with real Digital Cinema Camera features at such a price within reach.
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RESOLUTION, FRAME RATE AND CODECS
|Image Format||Format||Resolution||Max FPS||Codec|
|S35||6K HD||5760x3240||30||ProRes or KRW|
|6K HD Wide||5760x2400||40||ProRes or KRW|
|4K HD (Oversample)||3840x2160||30||ProRes|
|4K HD Wide (Oversample)||3840x1600||40||ProRes|
|4K HD (HiSpeed)||3840x2160||74||ProRes or KRW|
|4K HD Wide (HiSpeed)||3840x1600||100||ProRes or KRW|
|Golden 3K||2880x1620||30||ProRes or KRW|
|Golden 3K Wide||2880x1200||40||ProRes or KRW|
|Golden 2K HD (Oversample)||1920x1080||30||ProRes|
|Golden 2K HD Wide (Oversample)||1920x800||40||ProRes|
|M4/3||4.3K 4:3 Anamorphic||4320x3240||30||ProRes or KRW|
|4K 4:3 Anamorphic||4096x3072||30||ProRes or KRW|
|4K||4096x2160||44||ProRes or KRW|
|4K Wide||4096x1716||56||ProRes or KRW|
|4K HD||3840x2160||44||ProRes or KRW|
|4K HD Wide||3840x1600||60||ProRes or KRW|
|3K HD (HiSpeed)||2880x1620||115||ProRes or KRW|
|3K HD Wide (HiSpeed)||2880x1200||150||ProRes or KRW|
|Golden 2.2K Ana||2176x1620||30||ProRes or KRW|
|Golden 2K Ana||2048x1536||30||ProRes or KRW|
|Golden 2K||2048x1080||44||ProRes or KRW|
|Golden 2K Wide||2048x860||54||ProRes or KRW|
|Golden 2K HD||1920x1080||44||ProRes or KRW|
|Golden 2K HD Wide||1920x800||60||ProRes or KRW|
|S16||3K||3072x1620||59||ProRes or KRW|
|3K Wide||3072x1280||75||ProRes or KRW|
|3K HD||2880x1620||59||ProRes or KRW|
|3K HD Wide||2880x1200||75||ProRes or KRW|
|2K (HiSpeed)||2048x1080||170||ProRes or KRW|
|2K Wide (HiSpeed)||2048x800||200||ProRes or KRW|
|2K HD (HiSpeed)||1920x1080||170||ProRes or KRW|
|2K HD Wide (HiSpeed)||1920x800||225||ProRes or KRW|
|16mm||2K||2048x1080||88||ProRes or KRW|
|2K Wide||2048x860||110||ProRes or KRW|
|2K HD||1920x1080||88||ProRes or KRW|
|2K HD Wide||1920x800||118||ProRes or KRW|
|Camera Type||S35 Film-Style Digital Cinema Camera|
|Imaging Sensor||6K S35 Format CMOS||Crop factor over FF: 1.6|
|Lens Mount||Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters||*PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer|
|Record Formats||Codec Type||Codec Format||Bit Depth|
|Compressed Lossless KineRAW||.krw||12bits|
|Record Res||6K||4K||Golden 3K|
|Max FPS||30@6K||100@4K Wide||150@3K Wide||225@2K HD Wide|
|Dynamic Range||16 stops/14 stops||*Golden 3K/regular 6K|
|1600/800||20480||*Golden 3K/regular 6K|
|Monitoring||KineMON Port x1||HD Port x1||SDI x2*||*Applicable on KineBACK|
|Record Media||2.5" SSD with 7mm Height|
|Audio Capture||In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR||*Applicable on KineBACK|
|Sync Function||Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync*||*Applicable on KineBACK|
|LUT||Preset: Neutral/Flat, Support Custom LUT|
|DC IN 11~19V/SideGrip/V-Mount*||21W||*Applicable on KineBACK|
|Body Color||Deep Grey|
|Weight||2.1 lb / 980 g||*Only Body|
|Size||4.5x4.3x3.7" / 115x110x95 mm||*W/o projections, WxHxL|
|Operating Temp||0°C to +40°C|
- ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
- Any other trade marks belong to their respective owners.
Firm is the soul of camera. The KineOS5.0 on TERRA 6K keeps simple as previous version and also has many features for a professional cinema camera. It is responsive, clean and easy to access:
TERRA 6K has waveform in-camera: you don’t need to buy monitor with waveform. Using waveform, cameraman can judge exposure quickly and accurately. The difference between TERRA and other camera is that TERRA 6K has two ways to examine the exposure: just RAW (w/ KineLOG) data or RAW(w/ KineLOG) + LUT data. RAW data is what sensor sees directly; and RAW+LUT data is more like human eyes, in waveform and histogram.
ZOOM and Focusing
TERRA 6K provides Zoom to help focusing: full, 100%, 200%, 800%. Just press the Zoom button to toggle zoom ratio quickly. Zoom to 800% provides an interesting focusing signal: aliasing clear means focusing right.
Accurate Automatic WB
TERRA 6K provides accurate Automatic WB, so that you can deal with complicated lighting environment easily. Just use grey card or white card before lens, to set the WB accurately instantly. TERRA 6K would save the parameter into camera for later usage. Besides, TERRA 6K has two options for white-balance list: simple list and complete list. The complete list contains a long list for different lighting and different WB value (step is 50K) . For most cases, an appropriate WB setting you could find to match your condition.
Histogram with Tick Mark *(Not available yet)
TERRA 6K integrate not only histogrm, but also special tick mark: 18% grey and 90% white respectively. Like waveform, histogram also shows RAW(w/ KineLOG) or RAW(w/ KineLOG)+LUT data automatically.
Accurate and custom sensor fps
You can set any custom sensor fps between lowest (6fps at current firmware) and highest fps (different for different resolution and different framing), the accuracy is 0.001fps, while recording fps is set by project fps in the camera. It provides much more possibilities over fixed fps like 24, 25, 30fps. So that you are free to create more amazing videos with different fps.
Presets for Parameters
In-Camera Presets are a set of parameters for recording: Resolution, FPS, Record format, Shutter speed, etc; and there are EIGHT in-camera presets, and it provides quick switch for these presets: BACK/VIEW button to pop up the Preset Shortcut list.
If you have anamorphic lens and want to give super wide effect, TERRA fulfills the dream. TERRA 6K supports 4K 4:3 anamorphic frame size, and de-squeeze images into normal images in live view and playback, just setting the display ratio according to your anamorphic ratio. For example, you will get 8K image effect if you use 2:1 anamorphic lens in 4K 4:3 mode for TERRA 6K; All you have to do is set the anamorphic ratio in configure menu.
Framing Ratio: 2.39:1
TERRA 6K supports 2.39:1 liveview and recording natively, besides 16:9 or 2:1 framing ratio. 2.39:1 is DCI scope standard, which is often used in short film and cinema projection.
Smart FAN Control
TERRA 6K has in-camera fan to cool the camera itself and make camera work well in stable condition. Fan generates noise. You can choose Record Stop in Fan setting to make FAN stop works temporarily: Fan works when live view; Stops when recording begins so that it is totally quiet when recording. It is very important in quiet environment, and sensitive to any audible noise. Strongly Recommend fan running when recording ProRes.
Upgrade Firmware by USB
TERRA 6K functions more than just a data table, by updating firmware. Updating firmware is easy and quick: download firmware, copy it into USB flash thumb, insert to TERRA 6K USB port, press upgrade in the menu. The update job is done after 15 mins.
Iris-Control on EF Lens
TERRA 6K supports majority of lens with iris-control as soon as you buy camera with native EF mount or active EF mounting adapter for KineMOUNT mount. TERRA displays Iris number and tune it directly. Also you can just disable electronic active EF mounting adapter so that protects it from all-metal lens backend. Check the compatible lens white list.
Real 3D Shots
TERRA 6K can take real 3D shots. Just one SYNC cable to connect two TERRA SYNC port, set up Master and Slave instantly. 3D SYNC means: Scan sync, frame sync and time code sync, less than 5us of mismatch! For a multi-camera sync system (more than two), all TERRA cameras need to be equipped with KineBACK. Besides, you should purchase a KineSYNC device and a few SYNC cords: one KineSYNC device can sync up to eight TERRAs (one master camera and seven slave cameras).