TERRA, Smallest, Cine Camera with high performance, easy to be used like DSLR. Three models as 4K/5K/6K work up to 100fps @4K Wide, 200fps@ 2K Wide and record ProRes422HQ(.mov) or lossless RAW(.krw) onto standard 2.5″ SSD.

TERRA has three models based on different CMOS sensors. TERRA 4K as a new TERRA member, features high speed 4K CMOS image sensor with Dual Native ISO(3200/800): it captures low-noise and wide-latitude images in regular scenes or low-light environment, easily. The 5K imaging sensor is the 5K dual-gain CMOS sensor with Dual Shutter Modes, and the 6K imaging sensor is the same 6K wide-color-gamut CMOS sensor (rolling shutter) with KineMAX 6K. All models features very high resolution, wide latitude and high fps, same size and form factor though different CMOS sensors and different processing.

TERRA 4K 

4K+ Resolution TERRA 4K is capable of Capturing and Recording 4K+ as 4096×2800 RAW (.krw) or Apple ProRes without external recorder. Its vertical resolution is up to 2800, more 30% than regular 4K UHD/DCI resolution, easier for 4:3 anamorphic shooting. With the advanced CMOS process technology, the CMOS sensor has lower noise level, half of TERRA 6K, and its base ISO is up to 1600.

TERRA 5K 

5K Resolution  TERRA 5K is capable of Capturing and Recording 5K RAW (.krw) without external recorder, but also can record 5K ProRes in real time. 5K details means 13.8Million pixels in single frame: 7 times of Full HD/1080p, 1.56 times of UHD/3840×2160! Images of super high resolution makes delivery output sharper and more clean: much better image quality.

TERRA 6K 

6K Resolution  TERRA 6K is capable of Capturing and Recording 6K RAW (.krw) without external recorder, but also is the only camera to record 6K ProRes. 6K details and framing space is beyond imagination, > 18Million pixels in one frame: 9 times of Full HD/1080p, 2.25 times of UHD/3840×2160! Every single frame matches high-end DSLR RAW photo!


14 stops with Dual Native ISO TERRA 4K employs a whole-new CMOS image sensor featuring with Dual Native ISO : 3200/800. It captures low-noise and wide-latitude images in regular scenes or low-light environment, easily.  The latitude reaches up to 14 stops at regular 4K and cropping mode, and even more than 14 stops at whole frame 2K mode (using all pixels and oversampling down to 2K).

14/12 stops TERRA 5K employs a brand-new CMOS image sensor. Thanks to Dual Gain technology, the latitude is up to 14 stops at rolling shutter, and 12 stops at global shutter. 5K@60fps, 4K@100fps, 2K@200fps.

16/14 stops TERRA 6K employs state-of-art CMOS sensor: 14 stops at 6K resolution; amazing 16 stops at golden 3K/2K (S35 framing) . It brings you not only maximum details, but also maximum latitude in every frame.


Rolling Shutter The native frame rate of CMOS image sensor of TERRA 4K is up to 100fps, so the TERRA 4K can record 4K wide up to 100fps, 3K wide up to 150fps, 2K wide up to 240fps. At the same time, its rolling effect is very low due to its high native frame rate, even running at regular fps.

Dual Shutter Mode TERRA 5K is the only cinema camera with dual shutter modes in the market. That means TERRA 5K could choose rolling shutter to get best latitude, lowest noise level and fastest frame rates, or switch to Global shutter to get zero-distortion in moving situation.

Rolling Shutter TERRA 6K shares the same state-of-art 6K CMOS sensor (rolling shutter) with KineMAX 6K. It is rolling shutter type, then suffers some rolling effect especially at 6K resolution. However, TERRA 6K features HiSpeed mode to record 4K/3K/2K which reduces rolling effect greatly.


tr_resolution

 

4K 100FPS All TERRA models have very good slow-mo ability.  For TERRA 4K, the fps at 4K wide can be boosted up to 100fps due to its high native frame rate, then the whole frame 2K wide can work as 100fps, cropping 2K wide can work up to 240fps. TERRA 5K supports 5K wide slow-mo up to 60fps at S35 , 4K Wide to 100fps at M4/3 and 2K wide to 200fps at 16mm. For TERRA 6K supports 4K Wide Slow-Mo up to 100fps at HiSpeed S35 and 2K Wide to 225fps at HiSpeed S16. As of quick-mo, the minimum fps is down to 2fps. Any custom sensor fps can be set between lowest and highest fps with step of 0.001fps.


ProRes for All Res and All Fps  TERRA allows lossless RAW (.krw) recording or Apple ProRes recording directly. For ProRes codec, it does not only support regular 2K/4K ProRes, but also has ability to record ProRes 422HQ for all resolution and all fps which the TERRA supports, like 6K ProRes, 5K 50fps ProRes, 4K wide 100fps ProRes, 2K@225fps for HiSpeed mode. Apple ProRes as an industry standard is widely supported by DI/NLE softwares. TERRA with ProRes speeds up both shooting and post-workflow at the same time.

KRW

Lossless KineRAW  KineRAW (.krw) codec, cinema-level codec is developed by Kinefinity with great efforts and resources. Average compression level is 2:1~3:1, lossless compression algorithm: no color sampling and loss. The 500GB KineMAG SSD could record around 80 minutes 4K RAW clips with its date rate slightly larger than ProRes422HQ. It can be transcoded into up to ProRes4444XQ for ProRes workflow or CinemaDNG for CinemaDNG workflow by KineStation; It really fits 4K, 5K, 6K recording and HiSpeed recording: reserving max grading room, saving much storage spaces and easier data backup.

2.5″ SSD recording media TERRA employs standard 2.5″ 7mm SSD SATA3.0 as recording media to provide compatibility of 3rd-party SSD, though TERRA is so small. There are lots of off-the-shelf 7mm SSD available. However performance of 3rd party SSD is not guaranteed, only official 7mm KineMAG 500G/1T SSD is recommended for serious shootings.

Custom in-camera LUT  You can upload the LUT/color style which you like, or DP like, or designed by post house to TERRA, so that the workflow from shooting to post will be optimised and reduce the time for you, also help on-site lighting and art work. For recording KRW or ProRes with custom LUT, it does not burn into footage: footage is always logged (by KineLOG3), on-site LUT for monitoring is saved to the same folder. The size of 3D LUT is from 8x8x8 up to 33x33x33.

Multi-Framing Oversampling + Crop mode + KineEnhancer = infinity combination of resolution, fps and framing. With the help of in-camera oversampling, TERRA records to 6K/5K ProRes, but also 4K/3K/2K ProRes with sharper and more clean images at S35. The framing can be from S35 up to full frame if using KineEnhancer, while cropping mode can boost the higher fps. TERRA supports above three modes to get multi-framing and multi res, at different fps.

4.3

4K 4:3 Anamorphic TERRA 4K provides 4:3 frame as 3700×2800@50fps, TERRA 5K as 3600×2700 @50fps, TERRA 6K as 4320×3240@25fps. and Aspect ratio of 4:3 matches anamorphic lens with factor of 2, so that it will gain CinemaScope frame as 8:3(2.66:1). With the desqueezed process in post-workflow, it can reach up to 7400×2800/7200×2700/8640×3240 (8K) CinemaScope!

KineMOUNT as Omni Mount KineMOUNT is the native lens mount of TERRA. It provides enough possibility due to its short FFD(15mm). New KineMOUNT is re-designed to be light with electronic contact (active) in order to support new PL mounting adapter with /i tech and new cordless EF mounting adapter, EF mounting adapter with KineEnhancer, Nikon F mounting adapternew SONY FE/E mounting adapter, EF/PL mounting adapters with electronic ND(e-ND), etc.

Whole-new Accessories A group of whole-new accessories are designed specifically for TERRA, so that TERRA can be configured for one-man job or a professional filmmaking crew. KineBACK provides more than SDI monitoring, XLR 48V audio, V-mount plate, regulated DC output, timecode sync and 3D sync in one little module. KineMON as fullHD 5″ monitor is powered and is fed video from TERRA body by only one cord. SideGrip, as new handgrip w/ powering and control from GripBAT 45Wh(BP-U30 compatible) battery, more than one hour for usage. KineBAT 120Wh as Super compact V-mount battery provides over four hours to TERRA. KineKIT-TERRA from Movcam takes into account of TERRA in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for TERRA.


Create, no boundaries. As a small and powerful cinema camera, TERRA is designed from bottom to top to facilitate filmmaking from shooting to post workflow. The value and flexibility from the TERRA lets you put more of your production budget and energy into what goes in front of the camera. It’s a serious film-making tool with real Digital Cinema Camera features at such a price within reach.

Note: All trademarks mentioned belong to their respective trade mark holders and companies, and are not necessarily affiliated with our company and may not endorse our products or the use of their products with our products.

RESOLUTION, FRAME RATE AND CODECS
Image Format Format Resolution Max FPS Codec
sub S35 4K Wide 4096x1720 100 ProRes or KRW
4K 4096x2160 75 ProRes or KRW
4K HD Wide 3840x1600 100 ProRes or KRW
4K HD 3840x2160 75 ProRes or KRW
3.7K 4:3 Anamorphic 3700x2800 50 ProRes or KRW
2K Wide (Oversample) 2048x860 100 ProRes
2K(Oversample) 2048x1080 75 ProRes
2K HD Wide(Oversample) 1920x800 100 ProRes
2K HD(Oversample) 1920x1080 75 ProRes
sub M43 3K Wide 3072x1200 150 ProRes or KRW
3K 3072x1620 120 ProRes or KRW
3K HD Wide 2880x1200 150 ProRes or KRW
3K HD 2880x1620 120 ProRes or KRW
sub S16 2K Wide 2048x860 240 ProRes or KRW
2K 2048x1080 196 ProRes or KRW
2K HD Wide 1920x800 240 ProRes or KRW
2K HD 1920x1080 196 ProRes or KRW
Note:
  • Frame Rate can be adjusted as 2~MAX fps, step accuracy of 0.001fps
TECHNICAL SPECIFICATION
Camera Type sub-S35mm Film-Style Digital Cinema Camera
Imaging Sensor 4K sub-S35mm Format CMOS Crop factor over FF: 1.85
Shutter Rolling Shutter *Very weak rolling effect
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer
Record Formats Codec Type Codec Format Bit Depth
Compressed Lossless KineRAW .krw 12bits
ProRes422HQ/422/422LT/Proxy .mov 10bits
Record Res 4K 3K 2K
4096x2160 3072x1620 2048x1080 3700x2800 3.7K 4:3
Max FPS 100@4K Wide 150@3K Wide 240@2K Wide
Dynamic Range 14 stops
ISO/EI Dual Native/Base ISO Max
3200 (from 1280) 800 (below 1280) 20480
Shutter Angle 0.7°~358°
Monitoring KineMON Port x1 HD Port x1 SDI x2* *Applicable on KineBACK
Record Media 2.5" SSD with 7mm Height
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR *Applicable on KineBACK
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* *Applicable on KineBACK
LUT Preset: Neutral/Flat, Support Custom 3D LUT
Power Power In Consumption
DC IN 11~19V/SideGrip/V-Mount* 21W *Applicable on KineBACK
Body Color Titanium Grey
Weight 2.1 lb / 990 g *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm *W/o projections, WxHxL
Operating Temp 0°C to +40°C
Note:
  1. ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
  2. Any other trade marks belong to their respective owners.


RESOLUTION, FRAME RATE AND CODECS
Image Format Format Resolution Max FPS Codecs
S35 5K HD 5120x2700 50 ProRes or KRW
5K HD Wide 5120x2160 60 ProRes or KRW
4K(Oversample) 4096x2160 50 ProRes
4K Wide(Oversample) 4096x1716 60 ProRes
4K HD (Oversample) 3840x2160 50 ProRes
4K HD Wide  (Oversample) 3840x1600 60 ProRes
M4/3 3.6K 4:3 Anamorphic 3600x2700 50 ProRes or KRW
4K 4096x2160 75 ProRes or KRW
4K Wide 4096x1716 100 ProRes or KRW
4K HD 3840x2160 75 ProRes or KRW
4K HD Wide 3840x1600 100 ProRes or KRW
S16 3K 3072x1620 100 ProRes or KRW
3K Wide 3072x1280 130 ProRes or KRW
3K HD 2880x1620 100 ProRes or KRW
3K HD Wide 2880x1200 130 ProRes or KRW
16mm 2K 2048x1080 150 ProRes or KRW
2K Wide 2048x860 200 ProRes or KRW
2K HD 1920x1080 150 ProRes or KRW
2K HD Wide 1920x800 200 ProRes or KRW
Notes:
  • Frame Rate can be adjusted as 2~MAX fps, step accuracy of 0.001fps
TECHNICAL SPECIFICATION
Camera Type S35 Film-Style Digital Cinema Camera
Imaging Sensor 5K S35 Format CMOS Crop factor over FF: 1.6
Shutter Dual Shutter Mode: Rolling & Global
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer
Record Formats Codec Type Codec Format Bit Depth
Compressed Lossless KineRAW .krw 12bits
ProRes422HQ/422/422LT/Proxy .mov 10bits
Record Res 5K 4K 2K
5120x2700 4096x2160 2048x1080 3600x2700 (4:3)
Max FPS 60@5K Wide 100@4K Wide 130@3K Wide 200@2K Wide
Dynamic Range 14 stops/12 stops *Rolling/Global
EI Base Max
800 6400 *only EI mode
Shutter Angle 0.7°~358°
Monitoring KineMON Port x1 HD Port x1 SDI x2* *Applicable on KineBACK
Record Media 2.5" SSD with 7mm Height
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR *Applicable on KineBACK
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* *Applicable on KineBACK
LUT Preset: Neutral/Flat, Support Custom LUT
Power Power In Consumption
DC IN 11~19V/SideGrip/V-Mount* 21W *Applicable on KineBACK
Body Color Titanium Grey
Weight 2.1 lb / 980 g *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm *W/o projections, WxHxL
Operating Temp 0°C to +40°C
Note:
  1. ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
  2. Any other trade marks belong to their respective owners.
 


RESOLUTION, FRAME RATE AND CODECS
Image Format Format Resolution Max FPS Codec
S35 6K HD 5760x3240 30 ProRes or KRW
6K HD Wide 5760x2400 40 ProRes or KRW
4K HD (Oversample) 3840x2160 30 ProRes
4K HD Wide  (Oversample) 3840x1600 40 ProRes
4K HD (HiSpeed) 3840x2160 74 ProRes or KRW
4K HD Wide (HiSpeed) 3840x1600 100 ProRes or KRW
Golden 3K 2880x1620 30 ProRes or KRW
Golden 3K Wide 2880x1200 40 ProRes or KRW
Golden 2K HD (Oversample) 1920x1080 30 ProRes
Golden 2K HD Wide (Oversample) 1920x800 40 ProRes
M4/3 4.3K 4:3 Anamorphic 4320x3240 30 ProRes or KRW
4K 4:3 Anamorphic 4096x3072 30 ProRes or KRW
4K 4096x2160 44 ProRes or KRW
4K Wide 4096x1716 56 ProRes or KRW
4K HD 3840x2160 44 ProRes or KRW
4K HD Wide 3840x1600 60 ProRes or KRW
3K HD (HiSpeed) 2880x1620 115 ProRes or KRW
3K HD Wide (HiSpeed) 2880x1200 150 ProRes or KRW
Golden 2.2K Ana 2176x1620 30 ProRes or KRW
Golden 2K Ana 2048x1536 30 ProRes or KRW
Golden 2K 2048x1080 44 ProRes or KRW
Golden 2K Wide 2048x860 54 ProRes or KRW
Golden 2K HD 1920x1080 44 ProRes or KRW
Golden 2K HD Wide 1920x800 60 ProRes or KRW
S16 3K 3072x1620 59 ProRes or KRW
3K Wide 3072x1280 75 ProRes or KRW
3K HD 2880x1620 59 ProRes or KRW
3K HD Wide 2880x1200 75 ProRes or KRW
2K (HiSpeed) 2048x1080 170 ProRes or KRW
2K Wide (HiSpeed) 2048x800 200 ProRes or KRW
2K HD (HiSpeed) 1920x1080 170 ProRes or KRW
2K HD Wide (HiSpeed) 1920x800 225 ProRes or KRW
16mm 2K 2048x1080 88 ProRes or KRW
2K Wide 2048x860 110 ProRes or KRW
2K HD 1920x1080 88 ProRes or KRW
2K HD Wide 1920x800 118 ProRes or KRW
Note: Frame Rate can be adjusted as 2~MAX fps, step accuracy of 0.001fps.
TECHNICAL SPECIFICATION
Camera Type S35 Film-Style Digital Cinema Camera
Imaging Sensor 6K S35 Format CMOS Crop factor over FF: 1.6
Shutter Rolling Shutter
Lens Mount Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer
Record Formats Codec Type Codec Format Bit Depth
Compressed Lossless KineRAW .krw 12bits
ProRes422HQ/422/422LT/Proxy .mov 10bits
Record Res 6K 4K Golden 3K
5760x3240 3840x2160 2880x1620 4320x3240, 4:3
Max FPS 30@6K 100@4K Wide 150@3K Wide 225@2K HD Wide
Dynamic Range 16 stops/14 stops *Golden 3K/regular 6K
ISO/EI Base Max
1600/800 20480 *Golden 3K/regular 6K
Shutter Angle 0.7°~358°
Monitoring KineMON Port x1 HD Port x1 SDI x2* *Applicable on KineBACK
Record Media 2.5" SSD with 7mm Height
Audio Capture In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR *Applicable on KineBACK
Sync Function Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* *Applicable on KineBACK
LUT Preset: Neutral/Flat, Support Custom LUT
Power Power In Consumption
DC IN 11~19V/SideGrip/V-Mount* 21W *Applicable on KineBACK
Body Color Deep Grey
Weight 2.1 lb / 980 g *Only Body
Size 4.5x4.3x3.7" / 115x110x95 mm *W/o projections, WxHxL
Operating Temp 0°C to +40°C
Note:
  1. ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE;
  2. Any other trade marks belong to their respective owners.
 


Firm is the soul of camera. The KineOS5.0 on TERRA keeps simple as previous version and also has many features for a professional cinema camera. It is responsive, clean and easy to access:

Advanced Waveform 

TERRA has waveform in-camera: you don’t need to buy monitor with waveform. Using waveform, cameraman can judge exposure quickly and accurately. The difference between TERRA and other camera is that TERRA has two ways to examine the exposure: just RAW (w/ KineLOG) data or RAW(w/ KineLOG) + LUT data. RAW data is what sensor sees directly; and RAW+LUT data is more like human eyes, in waveform and histogram.


ZOOM and Focusing

TERRA provides Zoom to help focusing: full, 100%, 200%, 800%. Just press the Zoom button to toggle zoom ratio quickly. Zoom to 800% provides an interesting focusing signal: aliasing clear means focusing right.


Accurate Automatic WB 

TERRA provides accurate Automatic WB, so that you can deal with complicated lighting environment easily. Just use grey card or white card before lens, to set the WB accurately instantly. TERRA would save the parameter into camera for later usage. Besides, TERRA has two options for white-balance list: simple list and complete list. The complete list contains a long list for different lighting and different WB value (step is 50K) . For most cases, an appropriate WB setting you could find to match your condition.

Histogram with Tick Mark  

TERRA integrate not only histogrm, but also special tick mark: 18% grey and 90% white respectively. Like waveform, histogram also shows RAW(w/ KineLOG) or RAW(w/ KineLOG)+LUT data automatically.


Accurate and custom sensor fps  

You can set any custom sensor fps between lowest (6fps at current firmware) and highest fps (different for different resolution and different framing), the accuracy is 0.001fps, while recording fps is set by project fps in the camera. It provides much more possibilities over fixed fps like 24, 25, 30fps. So that you are free to create more amazing videos with different fps.

Presets for Parameters 

In-Camera Presets are a set of parameters for recording: Resolution, FPS, Record format, Shutter speed, etc; and there are EIGHT in-camera presets, and it provides quick switch for these presets: BACK/VIEW button to pop up the Preset Shortcut list.


Anamorphic Lens 

If you have anamorphic lens and want to give super wide effect, TERRA fulfills the dream. TERRA supports 4K 4:3 anamorphic frame size, and de-squeeze images into normal images in live view and playback, just setting the display ratio according to your anamorphic ratio. For example, you will get 8K image effect if you use 2:1 anamorphic lens in 4K 4:3 mode for TERRA 6K; All you have to do is set the anamorphic ratio in configure menu.

Framing Ratio: 2.39:1  

TERRA supports 2.39:1 liveview and recording natively, besides 16:9 or 2:1 framing ratio. 2.39:1 is DCI scope standard, which is often used in short film and cinema projection.


Smart FAN Control 

TERRA has in-camera fan to cool the camera itself and make camera work well in stable condition. Fan generates noise. You can choose Record Stop in Fan setting to make FAN stop works temporarily: Fan works when live view; Stops when recording begins so that it is totally quiet when recording. It is very important in quiet environment, and sensitive to any audible noise. Strongly Recommend fan running when recording ProRes.

Upgrade Firmware by USB  

TERRA functions more than just a data table, by updating firmware. Updating firmware is easy and quick: download firmware, copy it into USB flash thumb, insert to TERRA USB port, press upgrade in the menu. The update job is done after 15 mins.


Iris-Control on EF Lens  

TERRA supports majority of lens with iris-control as soon as you buy camera with native EF mount or active EF mounting adapter for KineMOUNT mount. TERRA displays Iris number and tune it directly. Also you can just disable electronic active EF mounting adapter so that protects it from all-metal lens backend. Check the compatible lens white list.

EF Lens Compatible White-List

Real 3D Shots

TERRA can take real 3D shots. Just one SYNC cable to connect two TERRA SYNC port, set up Master and Slave instantly. 3D SYNC means: Scan sync, frame sync and time code sync, less than 5us of mismatch! For a multi-camera sync system (more than two), all TERRA cameras need to be equipped with KineBACK. Besides, you should purchase a KineSYNC device and a few SYNC cords: one KineSYNC device can sync up to eight TERRAs (one master camera and seven slave cameras).

 

Shot by TERRA 6K:

TERRA 6K shares the same state-of-art 6K CMOS sensor with KineMAX 6K, so it makes sense to evaluate image quality of TERRA 6K by shots of KineMAX 6K.

The footage from TERRA 4K will come very soon, and the footage from TERRA 5K is not available yet.