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SCRATCH Introduction and FAQ

SCRATCH is a state-of-the-art, all-in-one, real-time solution for on-set production through the entire post-production workflow. It integrates a suite of tools that includes data management, dailies, playback, conform, colour grading, versioning, compositing, finishing and mastering for 2D/3D productions. SCRATCH squeezes every ounce of performance out of your GPUs to provide unbeatable speeds during the entire […]

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Barber Brian Burt (by KineMINI 4K)

DoP: Jonathan Nicol;Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]

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FM98.1 on Storm (by KineMINI 4K)

Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.

KineMINI-4K Audio
Operation Guide | Tagged

Audio Recording of KineMINI 4K

KineMINI supports audio input (MIC-IN) to record the synchronous (mono, not stereo) audio, but it does not support the MIC of phantom power. MIC-IN port is located at front of the camera with jack of 3.5mm. It will generate two uncompressed audio files when recording with the external microphone inserted MIC-IN port. The audio track will be […]