KineRAW (.KRW) codec, cinema-level codec is developed by Kinefinity with great efforts and resources: lossless, very high efficiency. It really fits 6K, 5K, 4K recording and HiSpeed recording, saves much more storage room, for easier data backup.
SCRATCH is a state-of-the-art, all-in-one, real-time solution for on-set production through the entire post-production workflow. It integrates a suite of tools that includes data management, dailies, playback, conform, colour grading, versioning, compositing, finishing and mastering for 2D/3D productions. SCRATCH squeezes every ounce of performance out of your GPUs to provide unbeatable speeds during the entire […]
DoP: Jonathan Nicol；Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]
DoP: Aeyron Moore; Director: Aeyron Moore; Location: Pittsburgh(US) Camera: KineMINI 4K; Lens: Rokinon Cine 35mm/85mm EF Prime lens; Tokina 11-16mm EF Ultra Wide Lens Recording Codec: 4k DCI 4096×1716 (CinemaDNG) Edited and Graded by: Aeyron Moore (Davinci Resolve 11)
Davinci Resolve is an excellent DI software, but it can not support Cineform natively and fully. Though Cineform footages can be playback, edited and graded in Resolve, but it can not access the meta data of Cineform, like DeBayer options, primary color correction in Cineform studio, so that Cineform grading in Resolve is not good […]
Cameraman/DoP: BonBon；Director: ZERO; Art: Zhiling Zhou; Location: Shanghai (China); Camera: KineMINI 4K; Lens: Cooke S5i Prime Set; Artificial lights (mainly); Codec: 2K Cineform RAW mov; ISO: 800; Edited by: Zhaojun Chen (FCP 7); Graded by: Bachejian Weida Xu (Davinci Resolve)
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
KineMINI supports audio input (MIC-IN) to record the synchronous (mono, not stereo) audio, but it does not support the MIC of phantom power. MIC-IN port is located at front of the camera with jack of 3.5mm. It will generate two uncompressed audio files when recording with the external microphone inserted MIC-IN port. The audio track will be […]