25
Oct
Oct
KineRAW-S35 is defined as a full-functional and serious digital cinema camera which fits feature movies, AD, and TV making.
19
Oct
Oct
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform â„¢ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
19
Oct
Oct
KineStationâ„¢ is the core of Kine camera system. KineStationâ„¢ and KineRAW consist of hybrid digital cinema system to cover serious filmmaking and quick post workflow. Kine Cameras captures light and images which are RAW and remain native information as possible at frontend, while KineStationâ„¢ transcode the RAW images into the specific format based on post workflow […]
19
May
May
The video tutorial teach you how to use LUT which was loaded when shooting to recover the color and saturation on log video, and how to work with PR and Edius. That will speed up post workflow much.
12
May
May
The tutorial talks about how to use free Cineform Studio to do white balance, adjust exposure, and load LUT quickly, etc. It means a lot for quick output and grading
08
May
May
Cameraman: Dan Hudgins; Location: San Francisco(US) Lens: LOMO lens; Record Format: CinemaDNG/Cineform; Graded by: Liu Qingqing, Zhao Wei, Huiyun, Shan Shiyang (Davinci Resolve)
02
May
May
This tutorial explains how to playback Cineform RAW clips, need what kind of codecs, and what is LUT recorded by KineRAW.
08
Apr
Apr
Burning Bridge MV, Starred CRAIG HANSEN Director: Clinton Harn; Cameraman: Matthew Allard, assisted by Phil Arntz; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted)& Nikon Lenses;
20
Mar
Mar
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to show how to grade Cineform RAW in Davinci Resolve.
31
Dec
Dec
Director: Matt Allard; Shot by: Matt Allard, Clinton Harn, Phil Arntz; Location: Australia Camera: KineRAW-S35; FS700 for high-speed shots; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted);
27
Oct
Oct
Director：Dan Chung; Cameraman: Jonas; Art Dirctor：Elisa Cucinelli Lens: Leica and GL Optics(Tonika 11-16mm Converted); Record Format: Cineform RAW mov
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