The software often used is Quicktime based on MAVO/TERRA. For old version Kine cameras, there are three types: Cineform software, Quicktime7 and HFS drive.
KineColor2 LUT restores Cineform LOG footages to Neural look, so that it can be used as starting point of grading, or quick workflow. This LUT is to be loaded in DI software, like Davinci Resolve, not used for in-camera usage.
KineMINI is upgrade version of KineRAW-MINI. Actually, KineMINI is not so much an upgrade but a whole new model of Kine camera. Built-in Cineform codec, 4K RAW option and HiSpeed Option, SDI output, turns KineMINI into a much more professional cinema camera, not a toy. With such performance, KineMINI keeps nearly same shape and weight […]
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOG™ which simulates the Cineon™ Log […]
KineRAW camera employs whole new lock-type EF mount, new lock-type EF mounting adapter, new lock-type Nikon F mounting adapter from 2014 Jan. Its fixing way is very similar to Cine PL mount: lock ring rotation, not lens rotation to make sure EF lens locked firmly and to be contacted well with pogo-pin contact inside of […]
The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]
Current version V0.4 of KineStation™ is beta version which can run on Windows and MAC OS platform. It can transcode CinemaDNG/KNG sequence, timecode, audio and LUT into Cineform RAW mov/Cineform RGB 444 mov so that you can use Cineform workflow.
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform ™ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
KineStation™ is the core of Kine camera system. KineStation™ and KineRAW consist of hybrid digital cinema system to cover serious filmmaking and quick post workflow. Kine Cameras captures light and images which are RAW and remain native information as possible at frontend, while KineStation™ transcode the RAW images into the specific format based on post workflow […]