KineMAX 6K in Berlin (Shot on KineMAX 6K)

DoP: Qingqing Liu; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+EF Mounting Adapter, or EF Mounting Adapter with KineEnhancer; Lens: Canon 18-135mm; Canon 70-200mm, f2.8; Rokinon Cine EF 24mm/85mm; Tokina 11-16mm EF;

Back to You (KineMINI 4K first demo footage)

Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]

FAQ of KINEMINI 4K

KineMINI is upgrade version of KineRAW-MINI. Actually, KineMINI is not so much an upgrade but a whole new model of Kine camera. Built-in Cineform codec, 4K RAW option and HiSpeed Option, SDI output, turns KineMINI into a much more professional cinema camera, not a toy. With such performance, KineMINI keeps nearly same shape and weight […]

RAW and Codecs

The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]

FAQ of KINESTATION

KineStation™ is the core of Kine camera system. KineStation™ and KineRAW consist of hybrid digital cinema system to cover serious filmmaking and quick post workflow. Kine Cameras captures light and images which are RAW and remain native information as possible at frontend, while KineStation™ transcode the RAW images into the specific format based on post workflow […]