Whole-new MAVO Edge Camera

MAVO Edge is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 75P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes RAW to the MAVO Edge as an in-camera codec to make the RAW workflow easier.

Stunning 8K 75P Imaging Sensor

The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 800/3200 dual native ISO, 8K Wide up to 75fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 48 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.

In-camera 8K ProRes RAW

MAVO Edge can directly record Apple’s newest ProRes RAW codec which has been highly expected by the video industry from 2018 NAB. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes RAW encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444/XQ, ProRes422HQ, and H264 proxy.

Based on the efficient ProRes codec system recognized by Hollywood’s filmmaking industry, Apple Inc. introduced a universal RAW codec which supports the recording of RAW footage, delivers the flexibility of RAW video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes RAW can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on. Adobe software is also expected to support ProRes RAW natively this year.

Integration, Convenient to Use

The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.

MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports: dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs with metadata and audio embedded, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap ports, and 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly.

 

 

Innovative KineKIT Edge

New-designed KineKIT Edge includes innovative baseplate, more compact EVF bracket, much stable Top Handgrip and new Side Support, which are flexible for MAVO Edge to use in different scenarios.

Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. New-designed KineKITfrom Movcam takes into account of MAVO in different scenarios, such as hand-held, tripod, on shoulder, gimbal, high and low shooting angles, etc., which makes it best choice for MAVO Edge.


MAVO Edge Spec

CMOS IMAGING SENSOR & FILTERS
Imaging Sensor 8K 3:2 Full Frame CMOS Imaging Sensor
Max Record Res 8192x5456, 44.7M Pixels
Active Area 36x24mm, ø 43.3mm
Dual Base ISO Regular Base ISO: 800 (from 200~1280)
High Base ISO: 3200 (from 1600 to 20480)
Latitude >14 stops
Shutter Angle 0.7°~358° with rolling shutter
Lens Mount Native KineMOUNT with 15mm FFD Adapters: PL/LPL/Active EF/passive E
Optical Filter Replaceable OLPF with UV and IR-cut filter
ND Filter Built-in motorized: Clear and e-ND from 0.6 to 2.1
RESOLUTION, FRAME RATE and OPTICAL FORMAT
Full Frame FF 8K Wide 8192x3456, 0.2~75fps ProRes RAW or ProRes 36x15.2mm, ø 39.1mm
FF 8K DCI 8192x4320, 0.2~60fps ProRes RAW or ProRes 36x19mm, ø 40.7mm
FF 8K Open Gate 8192x5456, 0.2~48fps ProRes RAW or ProRes 36x24mm, ø 43.3mm
FF 6K DCI (Oversample) 6144x3240 0.2~60fps ProRes 36x19mm, ø 40.7mm
FF 4K DCI (Oversample) 4096x2160, 0.2~60fps ProRes 36x19mm, ø 40.7mm
S35 S35 6K Wide 6144x2560, 0.2~100fps ProRes RAW or ProRes 27x11.3mm,  ø 29.3mm
S35 6K DCI 6144x3240, 0.2~80fps ProRes RAW or ProRes 27x14.2mm,  ø 30.5mm
S35 4K DCI (Oversampling) 4096x2160, 0.2~80fps ProRes 27x14.2mm,  ø 30.5mm
S35 5K Wide 5120x2160, 0.2~120fps ProRes RAW or ProRes 22.5x9.5mm,  ø 24.4mm
S35 5K DCI 5120x2704, 0.2~96fps ProRes RAW or ProRes 22.5x11.9mm,  ø 25.5mm
S35 4:3 Ana 5120x3840, 0.2~60fps ProRes RAW or ProRes 22.5x16.9mm,  ø 28.1mm
S35 6:5 Ana 5120x4096, 0.2~60fps ProRes RAW or ProRes 22.5x18mm,  ø 28.8mm
S35 1:1 Ana 4096x4096, 0.2~60fps ProRes RAW or ProRes 18x18mm,  ø 25.5mm
Other Cropping 4K Wide 4096x1600, 0.2~160fps ProRes RAW or ProRes
4K DCI 4096x2160, 0.2~120fps ProRes RAW or ProRes
2K Wide 2048x860, 0.2~300fps ProRes RAW or ProRes
2K DCI 2048x1080, 0.2~240fps ProRes RAW or ProRes
CODECS, COLOR and RECORD MEDIA
Codec Type Codec Format Bit Depth Notes
Record Codec ProRes RAW Quicktime mov 12bits ProRes RAW HQ included
ProRes4444XQ Quicktime mov 12bits
ProRes4444 Quicktime mov 12bits
ProRes422HQ Quicktime mov 10bits ProRes422/LT included
Proxy Format H264 mp4 8bits Proxy recording when fps <=30
Color, LUT KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Record Media Media Slot x2, for KineMAG Nano SSD based on NVMe M.2 SSD
Media Size (WxHxL) 1.54x3.4x0.3" / 39x87x7 mm
MONITORING
Monitoring Proprietary Video Port x2, for Kinefinity Viewfinder, KineMON-5U, KineMON-7U
3G/1.5G SDI x2 with Meta data (regular BNC)
type-c usb x1 for iOS Device with Kinefinity App
Monitoring display on Video ports is independent from SDI outputs.
AUDIO IN AND OUT
Audio sampling spec Linear PCM, 24bits, 48KHz
Audio input In-cam mono MIC
3.5mm Stereo MIC
48V Phantom Power Balanced Input x2 (regular XLR)
Audio output 3.5mm Stereo Headphone
Network and Wireless Interfaces
Wired Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
Wireless WIFI 5 for live stream, camera control
Bluetooth 5.0
3-axis accelerometer
GPS
Sync and Control
Timecode Linear TC In&Out (0B5P socket)
Sync Genlock (regular BNC)
Control Lens with RS232, Power output (0B6P)
Multi-sync, Control SYNC with RS232 and Kinefinity camera sync(0B7P)
RS Rec trigger input with Power output (fisher 3P)
Extention EXT x2(for pogo-pin, 10 contacts)
Power In and Out
Power consumption 32W, when 8K 25p, liveview
Power Input DC Input (1B2P), 11~19V
Integrated V-mount battery plate, V-mount battery or BP-U compatible
UPS EXT 3(for pogo-pin, 8 contacts)
Power outputs D-tap x2, Vbat@2A; Vbat as DC in or BAT in
RS x1, Vbat@4A
Lens x1, Vbat@4A
Construction and Size
Body Material Carbon Fiber with Aluminum Alloy
Body Weight 2.6lb/1.2kg
Size(WxHxL) 4.1x4.8x4.7" / 105x121x119 mm (*w/o protrusion)
Operating Temp -20°C to +40°C
Notes:
  • Limited to the Storage Media or storage interface speed; not all resolutions and frame rates support ProResRAW HQ, ProRes4444 and 4444XQ.
  • ALL SPECIFICATIONS SHOWN ARE PRELIMINARY AND SUBJECT TO CHANGE WITHOUT NOTICE.
  • Above complete functions can be realized by firmware update.
  • Any other trade marks belong to their respective owners.
 

MAVO Edge is a brand-new large-format 8K cine camera with unprecedented 45 million pixels and state-of-the-art image quality in ProRes RAW, making every single frame comparable to those captured by high-end SLR cameras. The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution.

All these cutting-edge technologies not only ease story-tellers, documentary makers and video-content creators to capture incredibly pleasing images, but offer a future-proof creative tool to keep innovating, keep moving forward.

Note: Any other trade marks belong to their respective owners.