Revolutionary KineMAX is targeted very high quality film/video delivery including real 4K delivery. Its max capturing resolution is 6K with 14 f-stops; it also can record 4K, and even 4K 4:3 Anamorphic; golden 3K/2K, 1080p, with very high latitude up to 16 f-stops. For slow-mo, it can capture 4K slow-mo at HiSpeed mode up to […]
KineMINI is upgrade version of KineRAW-MINI. Actually, KineMINI is not so much an upgrade but a whole new model of Kine camera. Built-in Cineform codec, 4K RAW option and HiSpeed Option, SDI output, turns KineMINI into a much more professional cinema camera, not a toy. With such performance, KineMINI keeps nearly same shape and weight […]
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
Current version V0.4 of KineStation™ is beta version which can run on Windows and MAC OS platform. It can transcode CinemaDNG/KNG sequence, timecode, audio and LUT into Cineform RAW mov/Cineform RGB 444 mov so that you can use Cineform workflow.
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
KineRAW functions more than just a data table, by updating firmware. Fireware 6058 provides much more functions than Firmware 6050 as listed below:
KineRAW-S35 is defined as a full-functional and serious digital cinema camera which fits feature movies, AD, and TV making.
Director: Lubin Guo; Cameraman: Lubin Guo, A Wen; Location: Changchun (China) Lens: EF Lens; Codec: CinemaDNG/Cineform RAW (by KineStation) Graded by: Lubin Guo
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform ™ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
KineStation™ is the core of Kine camera system. KineStation™ and KineRAW consist of hybrid digital cinema system to cover serious filmmaking and quick post workflow. Kine Cameras captures light and images which are RAW and remain native information as possible at frontend, while KineStation™ transcode the RAW images into the specific format based on post workflow […]
Director:Ram Leetal; Cameraman: Johnnie Behiri; Location: Southhampton-UK Lens: Canon EF Lens; Record Format: CinemaDNG; Graded:Johnnie Behiri
Director:Jiang Xuan; Cameraman: Luo Xiaofeng; Team: 24 EIGA AGENCY; Location: Shanghai Lens: GL Optics(ZE Converted);
Burning Bridge MV, Starred CRAIG HANSEN Director: Clinton Harn; Cameraman: Matthew Allard, assisted by Phil Arntz; Lens: Carl Zeiss ZF, GL optics(Tokina 11-16mm Converted)& Nikon Lenses;
Denver Riddle from Color Grading Central (CGC) recorded the video tutorial to clarify how to process CinemaDNG post workflow with Davinci Resolve.
KineRAW-MINI is lightweight and solid digital cinema camera, while remains being powerful and versatile tool for 35mm like Cinematography. With more professional accessories, KineRAW-MINI can be configured as full function cinema tool easily. Note: KineRAW-MINI is previous model of KineMINI 4K. Please find more information about new KineMINI 4K.