The interfaces of KineMAX 6K camera is complete for serious filming, for most cases. The following three videos introduces the ports and button of camera, basic configuration and how Zacuto recoil work with KineMAX.
Davinci Resolve is an excellent DI software, but it can not support Cineform natively and fully. Though Cineform footages can be playback, edited and graded in Resolve, but it can not access the meta data of Cineform, like DeBayer options, primary color correction in Cineform studio, so that Cineform grading in Resolve is not good […]
Since the camera is a True RAW recording camera it has only its native ‘look’ which is dark because it comes from sensor directly. To become EI ISO adjusted and to make the colors bright and sharp the camera has many LUT loaded you can pick from, these include: KineLOG™ which simulates the Cineon™ Log […]
The RAW concept in digital cinema/Video category is nearly same with the RAW image file in digital camera/photogragh category: No White-balanced process, nor Color grading. RAW images files description in Wikipedia is following: Raw image files are sometimes called digital negatives, as they fulfill the same role as negatives in film photography: that is, the […]
The famous films like Oscar winner Slumdog Millionaire were acquired by CineForm RAW compression for most images, and also the 127 hours. The KineRAW-S35 can record the Cineform ™ as compressed raw using very high quality wavelet compression: visually lossless, and making work-flow more efficient. And KineStation can transcode CinemaDNG footages from KineRAW-MINI into Cineform […]
CinemaDNG ™is frame-based, just like Film. CinemaDNG™ offers maximum image quality and license free archive of your shots as “Digital Negative” that can be processed any way you like and be archived in an “open file format” that can be accessed and supported for all time to come, no matter what happens.