Shot, directed, edited and graded by: Kirill Maryukhna, Vladimir Malinke; Location: Moscow. Camera: KineMINI 4K, KineMOUNT+EF mounting adapter; Lens: Sigma ART 50mm f1.4; Canon 100m Macro, 70-200mm f2.8; Rokinon Cine 16mm/35mm EF Prime lens; Tamron 24-70mm F2.8; Codec: 4K@25fps S35, 2K@92fps S35, 2K@50fps S16; Post workflow on: Cineform RAW mov or Cineform RGB444 mov by […]
Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
DoP: Jonathan Nicol；Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]
DoP: Aeyron Moore; Director: Aeyron Moore; Location: Pittsburgh(US) Camera: KineMINI 4K; Lens: Rokinon Cine 35mm/85mm EF Prime lens; Tokina 11-16mm EF Ultra Wide Lens Recording Codec: 4k DCI 4096×1716 (CinemaDNG) Edited and Graded by: Aeyron Moore (Davinci Resolve 11)
Cameraman/DoP: BonBon；Director: ZERO; Art: Zhiling Zhou; Location: Shanghai (China); Camera: KineMINI 4K; Lens: Cooke S5i Prime Set; Artificial lights (mainly); Codec: 2K Cineform RAW mov; ISO: 800; Edited by: Zhaojun Chen (FCP 7); Graded by: Bachejian Weida Xu (Davinci Resolve)
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
Cameraman: Liu Qingqing, Michel; Location: Las Vegas (United States) Camera: KineMINI 4K x2: one is KineMOUNT+PL mounting, the other is native EF mounting; Lens: Sigma 18-35mm f1.8; Leica 50mm, f1.4(GL Modified); Tokina 11-16mm f2.8(GL Modified) Day: ISO 320; Night: ISO 640, 800, 1280. Mode: Uncompressed CinemaDNG 4096×2160@24fps; KineRAW(.KRW) 2048×1080@96fps Graded by: Liu Qingqing, CinemaDNG by ACR, […]