No matter MAVO LF, MAVO, or TERRA 4K, they feature state-of-art CMOS imaging sensors, and achieve super organic and low-noise images with high dynamic range, stunning details, from sub-S35, S35 to Full Frame. We will keep updating video works shot by Kinefinity cameras, and some of them have footages for downloading. If you also want […]
Cameraman, Director, Graded by Louis Mayo; Location: Los Angeles, USA; Camera: MAVO, EF Mount; Lenses: Sigma Art 18-35mm f/1.8; Recording format: 6K ProRes422HQ @25fps, 50fps, ISO: 1600-3200; Graded: Resolve 14. The following is the talk between Kinefinity and Louis. How did the opportunity present itself? That’s a great question, because there are so many talented […]
本页面汇集小舟导演使用TERRA 6K, KineMAX 6K拍摄的视频作品，大部分为TVC广告，也有他个人兴趣之作。
DoP: Qin Shuai; Director: Zhang Cheng & Ma Yongxian (LogImage STUDIO); Location: Shanghai; Camera: TERRA 6K, EF Mount with KineEnhancer; Lens: Zeiss CP2, Canon 70-200mm f2.8 and 100mm Macro; Recording format: S35 6K, 4K HiSpeed@75fps, as ProRes422HQ; Setting: ISO@320~1600; Edit by: Ma Xianyong (FCP X); Graded by: Chu Youfeng (Resolve). Awarded as the Best Cinematography […]
DoP: Xia Dong; Director: Luo Xiaozhou(GKStudio); Location: Shenzhen(China) Light: Tian Guoxiong; Art: Chunzi; Make up: Anna He; Camera: KineMAX 6K, KineMOUNT + PL Mounting adapter; Lens: UP Prime Set;
Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
DoP: Qingqing Liu; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+EF Mounting Adapter, or EF Mounting Adapter with KineEnhancer; Lens: Canon 18-135mm; Canon 70-200mm, f2.8; Rokinon Cine EF 24mm/85mm; Tokina 11-16mm EF;
DoP: Armini Dierolf; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+PL Mounting Adapter; Lens: UP Prime Set: 20mm, 40mm, 100mm;
DoP: Jonathan Nicol；Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]
Cameraman: Orlando Bassi (Movie Studio Bali); Location: Bali Island Camera: KineMAX 6K Prototype, KineMOUNT+ PL mounting adapter; Lens: Zeiss Compact Prime Set;
Cameraman/DoP: BonBon；Director: ZERO; Art: Zhiling Zhou; Location: Shanghai (China); Camera: KineMINI 4K; Lens: Cooke S5i Prime Set; Artificial lights (mainly); Codec: 2K Cineform RAW mov; ISO: 800; Edited by: Zhaojun Chen (FCP 7); Graded by: Bachejian Weida Xu (Davinci Resolve)
Director: Cheng Zhang; Cameraman: Yongqing Liu, Shuai Qin, Peng Cheng; Location: Shanghai China; Camera: Two KineMINI 4K; with KineMOUNT+EFMount; Lens: CP2 Prime Set; Codec: KineRAW(.krw) 2K Wide@120fps; Cineform RAW mov 2K Wide@25fps; HiSpeed: ISO 320; Normal fps: ISO 800; Edited by: Cheng Zhang, Yongqing Liu (FCP X); Graded by: Cheng Zhang; No De-noise nor Sharpen.
Cameraman: Orlando Bassi; Location: Bali Island Camera: KineMAX 6K Prototype, KineMOUNT+ PL mounting adapter and EF mounting adapter;
Cameraman: Xiaohu Fang; Location: Changsha (China) Lens: GL Converted Lens (ZE); Codec: Cineform RAW 1080p; Graded by: Qingqing Liu
Cameraman: BonBon; Director: ZERO; Location: Shanghai (China) Art: Dami; Producer: Xueli; Production: U+M; Lens: ARRI MP 27mm; Record Format: CinemaDNG;
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