MAVO LF as flagship LF Cinema camera from Kinefinity, provides cleaner images, wider viewing angles, shallower depth of field, and more immersive presence for cinematographers. We will keep updating video works shot by MAVO LF, and some of them have footages for downloading. If you also want to share your works here, please contact us […]
Cameraman, Director, Graded by Louis Mayo; Location: Los Angeles, USA; Camera: MAVO, EF Mount; Lenses: Sigma Art 18-35mm f/1.8; Recording format: 6K ProRes422HQ @25fps, 50fps, ISO: 1600-3200; Graded: Resolve 14. The following is the talk between Kinefinity and Louis. How did the opportunity present itself? That’s a great question, because there are so many talented […]
MAVO as flagship camera of Kinefinity, achieves super organic and low-noise images with high dynamic range, stunning details. We will keep updating video works shot by MAVO, and some of them have footages for downloading.
We will keep updating video works shot by TERRA, and some of them have footages for downloading. These video works show the high image quality, good performance and versatility of TERRA. Also, thank every TERRA user who shares such amazing works with us!
本页面汇集小舟导演使用TERRA 6K, KineMAX 6K拍摄的视频作品，大部分为TVC广告，也有他个人兴趣之作。
DoP: Qin Shuai; Director: Zhang Cheng & Ma Yongxian (LogImage STUDIO); Location: Shanghai; Camera: TERRA 6K, EF Mount with KineEnhancer; Lens: Zeiss CP2, Canon 70-200mm f2.8 and 100mm Macro; Recording format: S35 6K, 4K HiSpeed@75fps, as ProRes422HQ; Setting: ISO@320~1600; Edit by: Ma Xianyong (FCP X); Graded by: Chu Youfeng (Resolve). Awarded as the Best Cinematography […]
Shot, directed, edited and graded by: Kirill Maryukhna, Vladimir Malinke; Location: Moscow. Camera: KineMINI 4K, KineMOUNT+EF mounting adapter; Lens: Sigma ART 50mm f1.4; Canon 100m Macro, 70-200mm f2.8; Rokinon Cine 16mm/35mm EF Prime lens; Tamron 24-70mm F2.8; Codec: 4K@25fps S35, 2K@92fps S35, 2K@50fps S16; Post workflow on: Cineform RAW mov or Cineform RGB444 mov by […]
DoP: Xia Dong; Director: Luo Xiaozhou(GKStudio); Location: Shenzhen(China) Light: Tian Guoxiong; Art: Chunzi; Make up: Anna He; Camera: KineMAX 6K, KineMOUNT + PL Mounting adapter; Lens: UP Prime Set;
Cameraman: Dominic Taylor; Director: Dominic Taylor; Location: New Zealand; Camera: KineMINI 4K with KineMOUNT + EF mounting adapter; Lens: Canon EFS 17-55mm; Recording format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); Setting: ISO,320; Aperture: f4.0; Post workflow: KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Adobe Premiere Pro + After Effects by Dominic Taylor […]
DoP: Qingqing Liu; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+EF Mounting Adapter, or EF Mounting Adapter with KineEnhancer; Lens: Canon 18-135mm; Canon 70-200mm, f2.8; Rokinon Cine EF 24mm/85mm; Tokina 11-16mm EF;
DoP: Armini Dierolf; Location: Berlin (Germany); Camera: KineMAX 6K, KineMOUNT+PL Mounting Adapter; Lens: UP Prime Set: 20mm, 40mm, 100mm;
DoP: Jonathan Nicol；Director: Jonathan Nicol; Location: England; Camera: KineMINI 4K, native EF Mount; Lens: Canon 24-70mm II, Samyang 35mm, ZE 50mm f1.4; Recording Format: 4K@25fps, 2K@92fps, as KineRAW(.KRW); For post workflow, KRW clips were transcoded into Cineform RAW mov and Cineform RGB444 mov; Edited in: Adobe Premiere Pro; Graded by: Jonathan Nicol (Adobe Speedgrade); Production […]
DoP: Aeyron Moore; Director: Aeyron Moore; Location: Pittsburgh(US) Camera: KineMINI 4K; Lens: Rokinon Cine 35mm/85mm EF Prime lens; Tokina 11-16mm EF Ultra Wide Lens Recording Codec: 4k DCI 4096×1716 (CinemaDNG) Edited and Graded by: Aeyron Moore (Davinci Resolve 11)
Cameraman: Orlando Bassi (Movie Studio Bali); Location: Bali Island Camera: KineMAX 6K Prototype, KineMOUNT+ PL mounting adapter; Lens: Zeiss Compact Prime Set;
Cameraman/DoP: BonBon；Director: ZERO; Art: Zhiling Zhou; Location: Shanghai (China); Camera: KineMINI 4K; Lens: Cooke S5i Prime Set; Artificial lights (mainly); Codec: 2K Cineform RAW mov; ISO: 800; Edited by: Zhaojun Chen (FCP 7); Graded by: Bachejian Weida Xu (Davinci Resolve)
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